“Inca Sling Braiding As an Imperial Tightrope”

Paper for the Renaissance Society of America. March 23rd, 2024.

“Sling Braiding As a Masculine Ideal in the Late Horizon Andes”

PAPER FOR THE College Arts Association. February 15th, 2024.

“Two-Ply Art History: Parsing Threads of Iconographic Continuity and Rupture in Colonial Inca Embroidery”

Paper for the Middle Atlantic Symposium in the History of Art, Center for Advanced Studies in the Visual Arts, National Gallery of Art. March 4th, 2023. A recording is available at the following link:

https://nga.zoomgov.com/rec/play/OVrKpjD9vZ28tRvFSeLcrHbySQpQQPZ8hcKokjIje6hU1YP6uQ33ro-EHkaU7rN8WkR3VczvBrzotNRa.goZxdpdhH8O-eKCG?continueMode=true

“Staging a Desired Likeness: Inca Funerary Contexts as Revisionist Portraiture”

Paper for a Panel titled “Varieties of Portraiture” at the Sixteenth Century Conference. Oct. 29, 2022.

“Clothing in the Corpus Christi: Inca History Embodied, Legitimized, and Remade Through Dress”

Paper for a Panel I organized titled “Clothed Bodies of Knowledge: Andean Garments and Embodied thought” at the American Society for Ethnohistory. 9 Sept. 2022.